Jon Watts' Cop Car has all the essential bearings of a post-modernist 80's horror tribute, and yet it chooses to go in a different direction, rather deciding to be an effective crime thriller all on its own. The soundtrack is psychedelic, to say the least, and Kevin Bacon's mustache is the creepiest thing since Elijah Wood ate livers in Sin City. Seriously, I felt that the mustache could've jumped off his face and acted on its own at any given point. It would've seemed fitting with the rest of the weird tone that goes on throughout the film.
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